Curtis Judd Curtis Judd

Sound for Video Session: End of Year Review

In this week's Sound for Video Session, we reflect back on 2024, the gear we reviewed, the things we learned, and our plans for next year.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- DPA 4017b shotgun microphone

- Sennheiser MKH416 shotgun microphone

- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon

- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Teleprompter Ikan 17" high bright — B&H

- Canon C200 Camera - B&H

- Canon EF 24-105mm f/4 lens — B&H, Amazon

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Sound for Video Session: Dialogue Post Demo Part 2

In this week's Sound for Video Session, we pick up where we left off last week and demonstrate some dialogue audio post production techniques I use in DaVinci Resolve, using some of my go-to plugins.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- DPA 4017b shotgun microphone —

- Sennheiser MKH416 shotgun microphone —

- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon

- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Thanks RODE! Your move DJI SHURE HOLLYLAND

Our lighting and sound courses can be found here!

In this episode we share some exciting news about positive changes moving forward in the prosumer video and audio gear industry! Have a look at our original request to gear manufacturers here.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):

Gear used or mentioned in this episode:

- RODE Wireless PRO

- RODE Wireless GO 3rd Gen

- RODE Wireless ME

- DJI Mic 2

- Hollyland Lark Max

- SHURE Move Mic

The outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Sound for Video Session: Dialogue Post Demo

In this week's Sound for Video Session, we demonstrate some dialogue audio post production techniques I use in DaVinci Resolve, using some of my go-to plugins.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- DPA 4017b shotgun microphone

- Sennheiser MKH416 shotgun microphone

- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon

- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Which PRO sound and camera gear do I use? 2024 Edition

Our lighting and sound courses can be found here!

In this episode I talk about the audio and video gear has made it into my professional workflow, for jobs other than what I do here on YouTube. We also discuss why hobbyists don’t necessarily need the same quantity or quality of gear as the pros.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):

Gear used or mentioned in this episode:

Some of my other studio gear:

- Sennheiser MKH50

- Sennheiser MKH8050

- Ambient QP Slim boom pole

- RODE NT1 5th Gen

- RODE NT1 Signature Series

- Sound Devices MixPre audio recorders

- Sound Devices 8-Series recorders

- Sound Devices SL-2 wireless slot system

- Sound Devices A20 receiver

- Sound Devices A20 mini transmitter

- Sound Devices A20 transmitter

- SHURE Twinplex TL-48 lavalier microphone

- SHURE Twinplex TL-47 lavalier microphone

- Orca OR-34 sound bag

- Soundcart Minicart

- RF Venue Diversity Fin Antenna

- PSC Triple Play battery distribution system

- HiQ/Inspired Energy smart batteries

- Neewer LED panel lights

- Leatherman multi-tool

- Maglight (flash light/torch)

The outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Sound for Video Session: DEITY THEOS V1.9 — Fixed high frequency?

In this week's Sound for Video Session, we turn, again, to the DEITY THEOS wireless microphone system. Last time we had a listen and found that the audio that was transmitted has some high frequency artefacting — digital block looking things when viewed on a spectrogram. HOWEVER, DEITY notes that they fixed this issue in a recent firmware update. Let's take a listen!

And also, we'll do a bit of ear training again today — got to keep those ears sharp!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- DEITY THEOS UHF digital wireless microphone system

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Which audio and video gear do I use? 2024 Edition

Our lighting and sound courses can be found here!

In this episode I talk about the audio and video gear has made it into my daily workflow. We also discuss why you probably don’t need to buy every single new piece of gear all the time.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):

Gear used or mentioned in this episode:

- Sound Devices MixPre audio recorders

- Zoom F3 audio recorder

- ZOOM F6 audio recorder

- ZOOM F8n Pro audio recorder

- Tascam FR-AV2 audio recorder

- Sennheiser MKH50 microphone

- RODE NTR

- RODE NT1 5th Gen

- RODE NT1 Signature Series

- Earthworks ETHOS microphone

- Motu M2 audio interface

- Universal Audio Apollo x6

- Universal Audio Apollo Solo

- Scarlett 2i2

- ATEM Mini Extreme

- Mackie DLZ

- Mackie DLZ XS

- RODECaster Pro II

- Aputure 600C Pro

- Amaran 200x S

- Canon C70 Cinema Camera

The outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Sound for Video Session: Bubblebee Lavalier Accessories

In this week's Sound for Video Session, we have an initial look at and tests of Bubblebee's lavalier accessories for hiding lavalier mics, as well as protecting them from wind distortion.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Bubblebee lavalier accessories

- DPA 4017b shotgun microphone

- Sennheiser MKH416 shotgun microphone

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Curtis Judd Curtis Judd

Dear audio companies, please fix your battery problem!

Our lighting and sound courses can be found here!

In this episode I speak my mind on built-in batteries in modern audio gear, the problems it creates, and options for solving these problems.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):

Some of my other studio gear:

- Sound Devices MixPre audio recorders — B&H, Sweetwater, Amazon

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Sennheiser MKH8050 — B&H, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

The outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

Read More
Curtis Judd Curtis Judd

Sound for Video Session: Spacer Bubble Wind Covers for Boom Microphones

In this week's Sound for Video Session, we have an initial look at and tests of the Spacer Bubble. This is a slide-on cover for boom microphones that evidently works significantly better than traditional foam and fur covers. Let's see how it prevents distortion from wind and how transparent it sounds — the big tradeoff of wind covers for microphones.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.

Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Bubble Bee Spacer Bubble wind cover for boom microphones

- DPA 4017b shotgun microphone

- Sennheiser MKH416 shotgun microphone

The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

Read More