32-bit Float Recorder Myths You Should Know About
Our sound and lighting courses can be found here!
In this episode, we cover several 32-bit float audio recorder myths you should know about. Hint: You don’t actually need a 32-bit float recorder for most audio recording situations.
Prior videos on 32-bit float:
24-bit vs 32-bit float audio recording quality: Is there a difference?
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX. See https://school.learnlightandsound.com for more info!
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):
- Sound Devices MixPre audio field recorders
- ZOOM F3 audio recorder
- ZOOM F6 audio recorder
- ZOOM F8n Pro audio recorder
- Sennheiser MKH50 boom microphone
The outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2025, Curtis Judd