Sound for Video Session: Fairlight 16.2 Highlights & Q&A
In this session, we take a high-level look at some of the new features in DaVinci Resolve Fairlight 16.2 such as 32-bit audio support and automated loudness normalization. We then take your answers to the community and discuss.
To output from a dbx286s to a Canon 80D, you'll need the following. Full Disclosure, these are affiliate links. As an affiliate, I earn from qualifying purchases.
- 1/4" to 3.5mm TRS cable - B&H
- 3.5mm female to 3.5mm male line to mic level attenuator cable - B&H
Please consider taking my courses on how to record better audio and post processing over at Learn Light and Sound.
Garrett Sammons is hosting an online film contest called Isolation. You can check out the details at the Isolation contest page.
Gear covered or used in this episode. Full Disclosure, some of these are affiliate links. As an affiliate, I earn from qualifying purchases.
- RODE Wireless GO (White) - B&H
- TZ Audio Stellar X2 Vintage large diaphragm condenser microphone, used this for this livestream - TZ Audio
- dbx286S vocal channel strip - B&H Amazon
- RODE NTG4+ shotgun microphone - B&H
- RODECaster Pro podcast preamplifier/processor/recorder - B&H
- Sound Devices Wave Agent
- Accusonus Plugins - Accusonus
- Sennheiser MKH416 shotgun microphone - B&H
- Sennheiser MKH50 supercardioid boom microphone - B&H
- RODE NTG5 shotgun microphone - B&H
- Sound Devices 888 mixer/recorder - B&H
- Shure SM7B dynamic broadcast microphone - B&H
- Sound Devices MixPre II Series mixer/recorders - B&H
- Panasonic GH5 camera - B&H Amazon
- Canon C200 camera - B&H
- Audient evo 4 USB audio interface - B&H
- Cloudlifter microphone activator - B&H
- Fethead microphone activator - B&H
Copyright 2020, Curtis Judd