Electro-Voice RE20 Broadcast Microphone
In this week’s episode, we have a look at and a listen to the Electro-Voice RE20 dynamic broadcast microphone. This iconic broadcast microphone produces rich low frequencies along with a substantially crisper sound at higher frequencies than other similar microphones. Let’s get you some raw spoken word audio samples and run the mic through several tests so you can decide whether this may be a good addition to your podcast or recording kit.
To compare to other similar microphones for spoken word audio, here are some of my other microphone reviews:
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
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Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Electro-Voice RE20 Dynamic Broadcast Microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon
- Rosco Gobo creates the pattern on the back wall — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2022, Curtis Judd