Sound for Video Session — Dialogue Sound Ear Training & Q&A
In this week's session, we train our ears to recognize EQ, compression, and time permitting, other processors on dialogue audio. This will help you identify and fix potential problems more quickly. Or find the best microphone for a particular voice. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon
- Allen & Heath Dante 32x32 IO card for SQ mixers — B&H, Amazon
- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater
- Mackie DLZ Creator — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Teleprompter Ikan 17" high bright — B&H
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Sound for Video Session: Dialogue Compression Ear Training & Q&A
In this week's session, it's time for some ear training. When working with dialogue audio, I find it helps to train your ears and so that's exactly what we'll do here. We'll use a compressor to help you HEAR how this changes the quality of sound. After that, we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Mackie DLZ Creator — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Sound Devies 888 field recorder/mixer — Trew, B&H, Sweetwater
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Teleprompter Ikan 17" high bright — B&H
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Animosity, Ozone, & Q&A
In this week's session, we talk about the animosity that sometimes arises between sound and camera departments on set and what to do about it. We spend some time experimenting with Ozone for dialogue audio. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Simple Sound in Premiere, Final Cut, or DaVinci using Accentize's DialogueEnhance2
In this week’s episode we have a look at Accentize’s DialogueEnhance 2 plugin. This multipurpose plugin can run in non-linear video editors — Premiere Pro, Final Cut, and Davinci Resolve — as well as digital audio workstations and includes everything you need to clean up audio for your videos, podcasts, and other dialogue-based projects. In this video, we walk through the DialogueEnhance feature set and explain how you might go about using each module to best clean up your dialogue sound. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Accentize DialogueEnhance 2 Plugin — https://www.accentize.com/dialogueenhance/ (not an affiliate link)
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon
- Rosco Gobo creates the pattern on the back wall — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Mix music behind dialogue & Q&A
In this week's session, we'll demonstrate how I approach mixing music behind dialogue. Then we'll answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2022, Curtis Judd
Dialogue Edit, Mix, Master Challenge with Austin Olivia Kendrick, Bandrew Scott, and Mike DelGaudio
In this week's Sound for Video Session, we are honored to have Austin Olivia Kendrick, Bandrew Scott, and Mike DelGaudio join us for our second dialogue edit, mix, master challenge. Our esteemed guests come from a variety of areas in the audio industry including dialogue editing, voice over acting, and whatever it is that Bandrew does (microphone reviews, podcasting). They'll listen to your dialogue audio mix and give you expert advice on how to make your audio even better!
Learn more about our guests on TikTok (Austin Olivia Kendrick), Podcastage.com (Bandrew Scott), and Booth Junkie (Mike DelGaudio).
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at https://school.learnlightandsound.com including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks SV33 studio vocal microphone — B&H, Sweetwater
- Earthworks ETHOS microphone — B&H, Sweetwater
- Neumann U87 Ai microphone — B&H, Sweetwater, Amazon
- Epiphan Pearl Nano live stream encoder — B&H, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C70 Camera - B&H
- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon
- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2022, Curtis Judd
Clean Dialogue in Acoustica — Rotate Phase for Loudness and Extract:Dialogue for Noise Reduction
In this week’s episode we start our multi-part series on Acoustica, a digital audio editor made by Acon Digital. Besides being a lower-cost alternative to iZotope RX, Acoustica is an interface for all your ‘audio editing, podcast creation, mastering, and audio restoration’ needs. With such features as spectral editing and retouch, multi-channel support up to Dolby Atmos 7.1.2, and ARA 2 integration capabilities, Acoustica is a compelling editor to add to your workflow. In this series, we walk through and test Acoustica’s Premium Edition feature set and compare it to industry standard suite iZotope RX 9.
In this installment of the series, we try out Acoustica’s Extract:Dialogue and Rotate Phase functions. First we’ll show you how to rotate phase on a recording in order to reclaim headroom during the loudness normalization process. Then, we test out the Extract:Dialogue plugin and compare its results to those from RX’s Dialogue Isolate. Let’s take a closer look!
Try out the full Acoustica Premium or Standard suite free for 30 days directly from Acon Digital (not sponsored).
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- SoundDevices MixPre II series — B&H, Sweetwater, DVE Store, Amazon
- Earthworks SV33 — B&H, Sweetwater
- Shure SM7B — B&H, Sweetwater, Perfect Circuit, Amazon
- Bebob Cinema Batteries — B&H
- D-tap to hirose cable to power with cine batteries — Amazon, B&H
- Aputure 600D PRO LED Light — Aputure, B&H, DVE Store
- Impact Luxbank softbox — B&H
- Aputure Amaran 100D — Aputure, B&H, DVE Store, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon
- Rosco Prismatic Glass Gobo Cool Lavender creates the color pattern on the back wall - B&H
- Canon C70 Cinema Camera — B&H
- Canon RF 24-70 F2.8L Lens — B&H, Amazon
Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2022, Curtis Judd
Sound for Video Session: Dialogue Editing with Austin Olivia Kendrick
In this week's Sound for Video Session, we're joined by Austin Olivia Kendrick, a dialogue editor based in Los Angeles. Austin is a full time Assistant Dialogue Editor for Nickelodeon Animation and a co-founder of the Welcome Mat Radio podcast production company, where she is also the sound designer and audio engineer (and one of the performers!) of "The Legacy Saga" fantasy podcast series.
You can find Austin online at:
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Westone in-ear monitors UM Pro 50 - Sweetwater
- Behind the Sound Cart by Patrushkha Mierzwa - Amazon
- Earthworks SR314 - B&H, Sweetwater
- Panasonic GH5 camera - B&H, Amazon
- Canon C70 Camera - B&H
- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon
- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2021, Curtis Judd
Dialogue Editing for Film Demo
Editing the dialogue sound for your film and video projects can seem a little daunting, especially when you have two or more actors, each with a wireless lavalier microphone plus a boom microphone. How do you edit all those tracks? Do you just keep the boom and lavalier mics? Won’t it sound richer if you do keep them all?
It turns out that it generally will sound quite a bit worse if you keep them all and the main reason for using both lavalier microphones and a boom microphone is to give yourself options to use the best sounding mic in for each dialogue line.
In this demo, we show the basics on how to start a dialogue edit using Adobe audition. In this demo, we exported the edit of the film from Final Cut Pro X.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at my school including processing dialogue audio, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used to record the film and this video:
XToCC - app to convert XML from Final Cut Pro to XML that Adobe Audition can use:
Electrovoice RE20 - The mic I used to record my voiceover for this tutorial
Universal Audio Apollo X6 - Microphone preamp and Thunderbolt 3 Audio Interface used to record my voiceover for this tutorial.
Aputure COB120dmkII - Key light for lighting Amanda
Aputure Light Dome II - Newer version of the big soft box with faster setup and gel holder
Lupo Superpanel Full Color 30 - RGB 1x1 panel light for Lighting Bridget
Audio Ltd A10 Wireless Microphone System - Used for Bridget and Amandas lavalier microphones
Countryman B6 Lavalier Microphone - Bridget’s lavalier mic
DPA 4160 Lavalier Microphone - Amanda’s lavalier mic
Sound Devices 633 Audio Recorder/Mixer - Field recorder used to record the film sound
Sennheiser MKH 8050 - This is the boom mic used to record the film
Copyright 2018 by Curtis Judd
Music Copyright 2018 by Cary Judd. Used with permission.
