Sound for Video Session — Fairlight FX, Adobe Podcast Enhance, & Q&A
In this week's session, we run through some of the built-in effects of DaVinci Resolve's fairlight, demonstrate Adobe Podcast Enhance, an automatic audio optimization tool, and answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- AEA KU5A ribbon microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session: Mixing a Commercial - Foley, Effects, Music
In this week's Sound for Video Session we have a quick look at a commercial mix I’m working on at the moment. We run through each sound effect/foley, and music track, the effects applied and talk briefly about fader automation.
Links to gear we discussed or used to record this session:
Presonus Faderport Motorized Fader and Control Surface:
Focal CMS 65 Near Field Monitors - Same as the 40s but with 6.5 inch woofers and bass response that reaches a little lower on the spectrum. These are on closeout so a good time to buy if you’re in the market.
Focal Shape 65 Near Field Monitors - These are the newer versions of the CMS. Will be included in our upcoming comparison
Electrovoice RE20 Dynamic Broadcast Microphone (this is the mic I used for this session)
Antelope Audio Orion Studio Audio Interface (This is what I used to record my sound for this session)
Copyright 2017 by Curtis Judd
Sound for Video Session: Mixing Effects for a Short Film
In this week's session, I quickly demonstrate the overall idea of mixing the sound effects for a short film. For serious projects I would definitely spend more time on the details but wanted to give you a quick example to show the basics. I hope you find it useful!
Demo: Mixing Sound for a Short Film in Adobe Audition
In this week’s sound for video session I demonstrate how I mixed a recent short film from my friend Levi Whitney with Uphill Cinema - http://uphillcinema.com
I recorded the production sound. Levi directed and DP’d.
In this demo, I quickly demonstrate the overall idea of mixing dialogue, music, and effects for a short film. For serious projects I would definitely spend more time on the details but wanted to give you a quick example to show the basics. I hope you find it useful!
Gear Used:
Audio Technica AT4053b Hyper-Cardioid Microphone (the dialogue and effects in the film were recorded with this)
Sound Devices 633 Field Mixer/Recorder (the film sound was recorded with the 633)
Electrovoice RE20 Dynamic Microphone (Voiceover for this demo was recorded with this)
Antelope Orion Studio Audio Interface (Voiceover for this demo was recorded with this)
