Aputure F10 Fresnel & 2 bay Battery Power Station
In this episode, we take a look at the new Aputure F10 Fresnel lens mount as well as the 2-bay Battery Power Station which can power the Aputure Nova P300C and the Amaran 100 and 200 series lights.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest course is Sound for Live Streaming with the ATEM Mini.
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Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Aputure F10 Fresnel - Aputure, B&H, DVE Store
- Aputure F10 Barn Doors - Aputure, B&H, DVE Store
- Aputure 2-bay Battery Power Station - Aputure
- Aputure Nova P300C RGBWW panel light - Aputure, B&H, DVE Store
- Aputure 600D Bowens mount light - Aputure, B&H
- Aputure 300X Bowens mount light - Aputure, B&H, Amazon
- Aputure 300D II Bowens mount light - Aputure, B&H, Amazon
- Aputure 120D II Bowens mount light - Aputure, B&H, DVE Store, Amazon
- Amaran 100D Bowens mount light - Aputure, B&H, DVE Store, Amazon
- Amaran 200D Bowens mount light - Aputure, B&H, DVE Store, Amazon
- Aputure Light Dome II - Aputure, B&H, Amazon
- Aputure Light Dome SE - Aputure
- Aputure Light Dome Mini II - Aputure, B&H, Amazon
- Earthworks SR314 Microphone - B&H, Sweetwater
- Blackmagic Design Pocket Cinema Camera 6K - B&H, DVE Store, Amazon
- Sigma 24-70mm EF f/2.8 DG OS HSM ART Lens - B&H, Amazon
- Schneider Radiant Soft filter - B&H
- Canon C200 camera - B&H
- Canon EF 24-105 f/4L IS Lens - B&H, Amazon
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Copyright 2021, Curtis Judd
Lupo Dayled and Superpanel Lights for Video: Overview
What is unique about professional level LED lights for video? In this episode we take a look at the professional grade Lupo Dayled fresnel and Superpanel LED lights.
Links to gear discussed and used to record this session:
Lupo Lights now available in the USA from B&H:
Dayled 650 5600K
Dayled 650 Dual Color
Dayled 1000 5600K
Dayled 1000 Dual Color
Dayled 2000 5600K
Superpanel 5600K, No DMX
Superpanel Dual Color, No DMX
Ursa Mini Pro Cinema Camera - my main camera
Sigma 24-70mm f/2.8 OS ART Lens - my main all-around lens
Sennheiser MKH 8050 Supercardioid Boom Microphone
Sound Devices 633 Audio Recorder/Mixer
Rosco 1/2 Soft Frost Diffusion
5 in 1 Reflector (with scrim) - this is the very first piece of gear that any photographer or filmmaker should buy. Well, maybe right after a basic camera and good microphone.
Copyright 2017 by Curtis Judd
Lighting for Video: Hard and Soft Light
When lighting your video, understanding the difference between hard and soft light can help improve the look of your video dramatically. It is also important to understand how to make light hard vs. soft, and know when to use which. We cover the basics here.
In this episode, we used the Aputure COB120 lights which are nice because with the add-on accessories, you can use this as a soft or hard light source. Here we used the Light Dome, the new fresnel lens, and some barn doors on the front of the lens.
Aputure LSC20 LED Fresnel Accent Light
At NAB 2016, Aputure announced a very cool little LED fresnel light they call the LSC20. This is designed primarily as an accent light, comes with barn doors and the ability to zoom the beam angle like a traditional fresnel. It also includes a slot for gels to either match your main lights or add a colorful accent. In addition, the light can be powered with 5-18V DC power which means you can use the included DC adapter, a USB charger such as those most phones use, or professional batteries like Sony VLock or Anton Bauer gold mount batteries. Looks like a pretty nice flexible and lightweight addition for location lighting kits.
The only bad news: they're not available just yet, but we should see them in the September 2016 timeframe.
Special thanks to Scott Vanderbilt who was kind enough to bring his brand new Sony FS5 camera to film this series.
NAB 2016: Convert Your Arri Fresnel to LED
At NAB 2016, we talked with Pete Smith at VisionSmith for an overview of their new ReLamp LED bulbs. With these, you can convert your old Arri or Mole-Richardson tungsten fresnel lights to LED at a fraction of the price of most of the current fresnel LED instruments on the market. Your fresnel still focuses just like with the halogen bulbs and the CRI for the daylight balanced bulb is 93, and for the tungsten balanced bulb is 98.
Looks like they're not available just yet, but I'm planning to buy one and review it once they become available.
NAB 2016: Aputure Light Storm COB 120t Hard Light
At NAB 2016, we talked with Ted at Aputure for an overview of their new hard LED light, the Light Storm COB 120t. I can finally tell you that I’ve had one of the first few off the assembly line and love this light. I’ve been in the market for an affordable fresnel LED with good color reproduction. While I don’t have the barn doors, softbox, beauty dish, or fresnel lens just yet, I’m looking forward to getting my hands on those for a full review. If you’ve watched any of my videos over the last couple of months, the back light (kicker) was the COB 120t which I gelled with a CTB gel to match the daylight balanced Light Storm LED panels.
The tungsten color balanced version will be available by end of May along with the light shaping accessories. The daylight balanced and color tunable versions should be along in another 3 months.
Special thanks to Scott Vanderbilt who was kind enough to bring his brand new Sony FS5 camera to film this series. He used this opportunity to learn his camera, so please understand that he did us a huge favor and also learned when auto focus would work or not work. :)
