Lighting Gear, Lighting Curtis Judd Lighting Gear, Lighting Curtis Judd

Aputure's New Light Dome III versus Light Dome Mini: Which Softbox Is Right For You?

In this episode we take a look at Aputure’s new and improved Light Dome soft box: the Light Dome III! This iteration of the Light Dome is now easier than ever to set up and tear down, pack, and transport in addition to still delivering the reliable performance we know and love from Aputure lights and modifiers. In this episode we cover the Light Dome III’s new features, compare it to a few similar soft boxes and diffusion modifiers, and discuss whether or not this might be the right soft box for you and your lighting kit. Let’s take a closer look!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Aputure Light Dome III Softbox — Aputure, B&H

- Aputure Light Dome II Softbox — B&H, Amazon

- Aputure Light Dome Mini II Softbox — Aputure, B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Amaran 200x S Bicolor LED Light — Aputure, B&H, Amazon

- Amaran 60d S 60-Watt LED Light — B&H, Amazon

- 48x48” Chimera Frame and Fabric — B&H: Frame & Fabric

- Sennheiser MKH 8050 Supercardioid Condenser Mic — B&H, Amazon

- Sound Devices MixPre Series II Recoders — B&H, Sweetwater, Amazon

- Sound Devices 888 Field Recorder/Mixer — B&H, Sweetwater

- Impact Turtle-Base C-Stands — B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

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Kamerar D-FUSE Trapezoid Softbox for 1x1 LED Panel Lights

In today’s episode, we have a look at a new soft box from Kamerar called the D-FUSE Trapezoid. This is a larger, round version of their pop-up soft box for 1’ x 1’ LED light panels for video and photography lighting. This affordable soft box is easy to pack due to its light weight and small size when stored. It doesn’t create super, super, super soft light, but it definitely softens the edge to shadows and reduces the contrast between shadows and highlights making a nice image for headshots, talking head, or interview video.

Thanks to TACS for sponsoring this episode. See the Automatic Vintage Lens II Dark Metal edition timepiece and Don’t forget to use discount code “CurtisVip” at checkout for 30% discount through December 30, 2019.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.

Gear used or mentioned in this episode:

Kamerar D-FUSE Trapezoid Softbox - B&H Amazon Kamerar Direct

LUPO Superpanel Full Color 30 LED Light Panel used as a key light in this episode - B&H

Aputure MC mini RGB lights used for background lighting in this episode - B&H Amazon

RODE NTG5 Short Shotgun Microphone - B&H

Sound Devices 888 Audio Recorder/Mixer - B&H

Blackmagic Design Pocket Cinema Camera 6K - B&H

Blackmagic Design Pocket Cinema Camera 4K - B&H

Tilta Half Cage for BMPCC 4K/6K - B&H

Olymus 45mm f/1.8 Micro 4/3 Lens - B&H Amazon

Sigma ART 24-70mm f/2.8 EF Mount Lens - B&H Amazon

Get a free trial of the best music for your videos at Musicbed

Copyright 2019 by Curtis Judd

Ethics statement: Some of the links above are Amazon.com, B&H Photo, or other affiliate links. As an affiliate, I earn from qualifying purchases.

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Lighting for Video: Hard and Soft Light

When lighting your video, understanding the difference between hard and soft light can help improve the look of your video dramatically. It is also important to understand how to make light hard vs. soft, and know when to use which. We cover the basics here.

In this episode, we used the Aputure COB120 lights which are nice because with the add-on accessories, you can use this as a soft or hard light source. Here we used the Light Dome, the new fresnel lens, and some barn doors on the front of the lens.

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Aputure Light Dome Soft Box for COB 120 LED Light

For video talking head or interview shots, my go-to choice for my main light is a softbox. Ever since I got the Aputure Light Storm COB 120t LED light a few months back, I’ve been waiting for their Light Dome softbox to start shipping. And I am not disappointed. This softbox produces beautiful soft light for interview shots, feels like a quality product, and is reasonably priced.

As a bonus, because the COB 120 has a bowens mount, you can use the light dome on any other LED lights with a bowens mount.

The light dome will start shipping soon. Check back for updates.

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Softbox for LED Panel Lights: Kamerar D-Fuse

For interview or talking head video shots, I like to soften my Aputure Light Storm LED Panels (LS1s) to ensure that the light looks as flattering as possible. But one of the problems is that to do that, I’ve been setting up an additional light stand in front of the light and mounting a shoot-through scrim. This works beautifully in terms of softening the light but it is a bulky setup.

Kamerar just released a new series of softboxes made specifically for LED panel lights called their D-Fuse line. In this episode we take a quick look at the D-Fuse and compare its results with a shoot-through umbrella and plain old diffusion paper.

They have a version with an opening for 12"x12" panels and another with a 9.25"x9.25" opening for smaller panels (those with 500-ish LEDs). The opening can be a little larger than your LED panel and still work well. They'll also be releasing a grid attachment for the softbox that will help to control where the light spills making a soft, but contrasty look which is often used in photography. Looking forward to trying that out in the next few weeks.

Full disclosure: Kamerar gave me this softbox free of charge. They did not pay me further to do this review and did not specify what I was able to say or not say.

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Fluorescent Softbox Kit: Better Quality for Beginners

Octacool A few years ago I reviewed my ePhoto fluorescent softbox kit which is a workhorse kit for talking head and interview style shoots. The upside of that kit was that it only cost $200. Today it sells for even less. But quality and durability were not amazing on this kit. In fact, I never break the softboxes down for fear that I'll break them. When I first received it, one of the porcelain sockets was literally dangling from the head by its wires. One of the bags for the light stands was shredded. The stands are pretty flimsy. But the light worked well if you treated them with kid gloves and left them assembled and out of harm's way...

ePhoto Kit

https://youtu.be/2IOHobHUMcQ

I'm really hesitant to recommend that old kit, mainly because of the lack of quality.

So for those that are willing to spend a little more, I highly recommend looking at a kit like the Impact Octacool series of flood/softbox lights. The quality is much, much higher and the light it produces is beautiful, soft, wrapping light that will flatter your talent for talking head or interview setups. The light heads are solidly built and should hold up to use on the road much better than the ePhoto kit. You still need to be careful since fluorescent bulbs are fragile, but with care, this kit should last for several years. The stands are sturdier. This is clearly a case where "you get what you pay for" applies.

Octacool Kit

The Octacool lights come in 6 or 9 bulb versions and in kits with light stands and multiple light heads. The 2 light, 6-bulb kit works great for talking head setups. I'd use one as a key light, the second as a kicker (from behind and off to one side), and use a bounce board or reflector to fill in the other side of the talent's face. Solid look without a lot of fuss.

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