DEITY Connect Wireless Lavalier Microphone Review - 2 Mics 1 Receiver
Deity Microphones just released a new dual channel, digital wireless microphone system. This kit includes two transmitters and microphones which transmit to a single dual channel receiver. This is one of the few dual channel systems available for under $700 USD. In this episode, we dive into the details and find out how it sounds, how well it remains connected without interference or dropouts, and how it works with various cameras or recorders.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used in this video:
Deity Connect Dual Channel Wireless Microphone System
Panasonic GH5 Camera
Panasonic 12-35mm f/2.8 OIS Lens
Copyright 2019 by Curtis Judd
Music Copyright 2017 by TVAC. Used with permission.
Sound Devices Scorpio - NAB 2019
As part of our coverage of the Nation Association of Broadcaster’s show in Las Vegas in April 2019, we talked with Paul Isaacs at Sound Devices about their new flagship mixer/recorder called Scorpio. This is a device which is aimed at larger budget, very demanding productions where lots of inputs and lots of outputs are required.
Please consider my sound for video classes available over at our school.
Gear discussed and used to record this episode:
Blackmagic Pocket Cinema Camera 4K
Panasonic 12-35mm f/2.8 OIS Lens
Electrovoice RE50L Dynamic Interview Microphone
Sound Devices 633 Mixer/Recorder
Copyright 2019 by Curtis Judd
Music Copyright 2017 by TVAC. Used with permission
Deity Microphones New Products - NAB 2019
On the show floor at NAB 2019, we met up with Andrew Jones of Deity Microphones. Andrew walks us through their newly announced lavalier, pencil, short shotgun, and studio condenser microphones.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used in this video:
Deity Connect Dual Channel Wireless Microphone System
Deity W.Lav Pro - B&H: Coming Soon
Deity W.Lav Micro - B&H: Coming Soon
Pencil Condenser Microphone (still to be named - useful for indoor dialogue recordings with omni, cardioid, and hyper cardioid capsules) - B&H: Coming Soon
Deity S-Mic 2S - shorter shotgun microphone then the original S-Mic 2 - B&H: Coming Soon
Deity Studio Condenser Microphone - Still working on which features will be included - B&H: Coming Soon
Blackmagic Pocket Cinema Camera 4K
Panasonic 12-35mm f/2.8 OIS Lens
Electrovoice RE50L Dynamic Interview Microphone
Sound Devices 633 Audio Field Recorder/Mixer
Copyright 2019 by Curtis Judd
Music Copyright 2017 by TVAC. Used with permission.
RODE WIRELESS GO - NAB 2019
On the show floor at NAB 2019, we met up with Ryan Burke of RODE Microphones to have a look at their new WIRELESS GO system - a small, very simple to use wireless microphone system.
The audio in this episode was recorded entirely with the WIRELESS GO into a Blackmagic Pocket Cinema Camera 4K. The audio was loudness normalized to -23 LUFS and no other processing was applied.
This was a brutal test for a wireless system - on the show floor at NAB with a ton of RF activity. The handheld mic I use during this was for backup but since the WIRELESS GO did so well, we muted the handheld in post.
The WIRELESS GO kit used to record the audio for this episode was provided free of charge to us. We were not paid further to produce this video.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used in this video:
Blackmagic Pocket Cinema Camera 4K
Panasonic 12-35mm f/2.8 OIS Lens
Copyright 2019 by Curtis Judd
Music Copyright 2017 by TVAC. Used with permission.
Zoom F6 - NAB 2019
Zoom just announced their new F6 field recorder for location sound audio recording. Rather than just tweak the form factor, which they did, they also moved to dual analogue to digital converters which record to 32 bit. So the way you record changes pretty dramatically. When recording to 32 bit, you don't set the gain trim (there is none), you simply adjust the fader for each input channel. If you missed the level, no problem, in post you can cleanly normalize to the levels you need with no degradation in audio quality.
They've also switched up a few other things: The screen is a slightly smaller version of the high resolution screen from the F8n, the back of the recorder is a Sony NP-F (L series) battery sled, and you can now power the F6 via its USB-C input. The same quality timecode generator from the F8n is on board, this time with a 3.5mm TRS input/output jack. The F6 has a single SD card slot for recording media and still includes the advanced hybrid limiter when you record in 24 bit.
Auto mix is included and the with an adapter, you can use the Zoom Control app for iOS. You can also use the Zoom F-Control control surface.
We'll have a full review after the F6 starts shipping, hopefully in June 2019. Pricing still to be announced.
Gear discussed and used to record this interview:
Zoom F6 at Amazon - Coming Soon
Blackmagic Pocket Cinema Camera 4K
Panasonic 12-35mm f/2.8 OIS Lens
Electrovoice RE50L Dynamic Interview Microphone
Sound Devices 633 Audio Field Recorder/Mixer
Copyright 2019 by Curtis Judd
Music Copyright 2017 by TVAC. Used with permission.
Send Audio from Zoom F4 to Camera 3.5mm Mic Input
This is one segment from the upcoming Zoom F4 course which will be available soon at our school.
In this episode, I run through the process of feeding audio out of the Zoom F4 into the 3.5mm microphone input on your hybrid, mirrorless, or DSLR camera. Some cameras make this a little more difficult because their microphone inputs can only be “turned down” so far (lookin’ at your Panasonic), which is not enough. But we also show you how to work around this issue.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at https://school.learnlightandsound.com including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used in this video:
Zoom F4 (Amazon) - Audio Recorder and Mixer. Course on how to get the most of your Zoom F4 coming soon!
Juicebox 95Wh Cine Battery (Amazon) - I use this to power my F4 for 8 hours. Need the cable below as well.
And you’ll need this cable:
D-Tap to Hirose 4-pin cable (Amazon) to power the F4 with Cine Batteries
TalentCell 22,400mAh Battery (Amazon) - a less expensive rechargeable battery to power the F4 for many hours
And you’ll also need this cable:
DC Barrel to Hirose Cable (Amazon)
Aputure COB 120DII LED Light (Amazon) - this is my main workhorse light for 90% of my video work.
Nikon Z6 & 24 - 70 f/4 Lens - used in this video to demonstrate how to feed sound from the F4 to camera
Olympus 45mm f/1.8 Lens - wow, super sharp, fast lens. Love this for product shots like this video
Copyright 2019 by Curtis Judd
Music Copyright 2019 by Cary Judd. Used with permission.
Help Please: GH5, ATOMOS, MixPre HDMI Timecode and Control
I'm hoping that our community might be able to solve this together.
I've received the same question 4 times this week alone: How do I get timecode and Record Start/Stop controls to work with the GH5, ATOMOS (Ninja V, Sumo, Shogun, etc.), and the MixPre (3, 6, 10T) via HDMI?
I was NOT able to get all of them working by routing and HDMI cable from the GH5 to the Sumo, and from the Sumo to the MixPre. However, I confirmed with the same cables that it works when you use just the GH5 and MixPre or just the GH5 and ATOMOS recorder.
One hypothesis is that an HDMI splitter might solve the problem: Route an HDMI cable from the GH5 to an HDMI splitter, and from there, one of the splitter outputs to the ATOMOS and the other output to from the splitter to the MixPre.
Has anyone had success with this?
If this works, there's still the problem of how to power the HDMI splitter as most of them require power. But I believe there are some which are USB powered so that might work.
Thanks if anyone has information on whether the HDMI splitter approach or any other approach works. I'll create another video if we are able to find a solution.
I know that this is a bit of a Frankenstein type of rig. I don't usually shoot this way but I used to and many others still do for various reasons.
Thanks!
Copyright 2019 - Curtis Judd
Sound for Video Session: Q&A 25 March 2019
In this episode, we answer your questions on sound for video.
00:20 Recording Cars
03:57 Zoom H4n & Samson CO2?
06:22 How to sweeten dialogue sound
11:10 Which boom microphone for indoors?
13:00 Apps to automix dialogue in post?
15:00 MixPre as audio interface - does quality degrade when recording to screen recording app?
16:54 How much PC do I need to run Premiere Pro and DaVinci Resolve?
18:32 How to capture a noise sample? (Need more info)
18:57 Zoom H6 - remote reduces handling noise?
19:36 How to aim a super cardioid boom microphone
20:50 Replacing lavalier microphone for RODELink
22:28 RODECaster Pro multitrack recording to SD card?
24:12 Batch processing audio in RX and Audition?
25:14 Which sound effects should I record when I'm the mixer for a video?
28:05 Why is my compressor letting peaks through?
29:24 Boom and lavs to director's audio feed? AES42 digital audio with A10 and SD 633?
32:08 Panasonic 991 and timecode and post sync?
35:01 Pocket Cinema Camera 4K and MixPre - line level feed
36:28 Which specs can help you choose a recorder or microphone if you can't try it hands on?
41:11 Which boom mic and recorder do you recommend for interviews for $1200 or less?
43:18 RODE NTG3 or Deity S-Mic 2 sounds closer to the 416?
44:27 What is the difference between the Sound Devices MixPre-3 and MixPre-3M and can I use the "M" version for film and video?
47:55 How do I gain stage a Sennheiser G3 wireless system and Zoom F8n?
49:42 What is a timecode workflow for shooting music videos?
See this workflow information:
https://www.bamfsound.com/how-to-music-video-playback-with-ltc-timecode/
Gear discussed/used in this session:
RODECaster Pro - used to record this session
Sound Devices MixPre Series
Zoom F8n - Very good value for money on a pro/prosumer audio recorder
Sennheiser G3/G4 Wireless Microphone system - note that you need the correct version with frequencies you can use in your region. Contact a reseller in your country for details.
Deity S-Mic 2 shotgun microphone
RODE NTG3 shotgun microphone - I prefer the sound of this on most voices.
Sennheiser MKH416 shotgun microphone - the classic shotgun microphone that seemingly everyone is trying to mimic at enthusiast prices
Blackmagic Pocket Cinema Camera 4K - I find that I use this more often than any of my other cameras these days.
Tentacle Sync timecode generators
Izotope RX7 - my favorite app for cleaning and optimizing audio clips
Samson C02 - budget boom microphone - comes in a set of 2. Good budget option for interviews.
Zoom H5 - budget recorder with 2 XLR inputs
Tascam DR-60DmkII - budget recorder with 2 XLR inputs
Zoom H6 - budget recorder with 4 XLR microphone inputs
Copyright 2019 by Curtis Judd
Outro music from Artlist by Kick Lee. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos. Check it out at Artlist.io.
Audio Recorders for Filmmaking 2019: Choosing a Sound Recorder for Your Video Projects
In this episode, I explain my opinions on each of the sound recorders and mixers I’ve used for filmmaking. This includes the following. Click the links to jump ahead:
00:36 Zoom H1, H1n, and Tascam DR-05 Handheld recorders
03:00 Zoom F1 lavalier and on-camera recorder
05:17 Tascam DR-10L and Lectrosonics PDR mini body pack lavalier recorders
06:43 Tascam DR-60DmkII, Zoom H4n Pro, Zoom H5, Zoom H6
11:53 Centrance Mixerface R4R
12:50 Roland R-88 (Discontinued but can find used)
13:48 Zoom F4/F8/F8n, Sound Devices MixPre, Tascam DR-701D
32:21 Sound Devices 600 Series and Zaxcom Maxx, Nomad, & Deva
Recorder/Mixer Reviews - If you want more detail:
Zoom H1n: Handheld recorder which is a good option for using it like a wireless lavalier recorder
Zoom F1: Small recorder made for recording lavalier microphones or as a camera-top shotgun mic
Tascam DR-10L: This is my favorite tiny recorder for using in place of a wireless lavalier microphone
Lectrosonics PDR: Pro level lavalier microphone recorder.
Tascam DR-60DmkII: My favorite budget recorder with XLR inputs for recording on location
Zoom H4n Pro: Ok option if your XLR microphone has a strong output signal. Not a good option for mics like the RODE NTG2
Zoom H6: Much better option than the H4n Pro. But the screen is hard to see in direct sunlight
Centrance Mixerface R4R: Incredibly durable handheld recorder with 2 XLR inputs, great preamps, but no screen
Zoom F4: 4 XLR microphone inputs. Very good preamps and timecode generator
Zoom F8n: Probably the most value for money. 8 XLR inputs with great preamplifiers and durable build
Sound Devices MixPre-6: 4 XLR inputs, very good preamplifiers, analogue limiters, and durable build
Sound Devices MixPre-10T: 8 XLR inputs, very good preamplifiers, analogue limiters, timecode generator, and durable build. This is my backup recorder/mixer for paid jobs.
Zoom F8, Sound Devices MixPre-6, and 633 Sound Sample Comparison: Hear the difference between the Zoom F, Sound Devices MixPre, and Sound Devices 633. You’ll need some good headphones or speakers.
Zoom F vs Sound Devices MixPre - Which should you buy?: A little perspective on which might be best for you.
Sound Devices MixPre Control Surfaces: If you’re at a table, desk, or cart, these control surfaces can make mixing a little easier.
Zoom F-Control Control Surface: If you’re at a table, desk or cart, these control surfaces can make mixing a little easier.
Sound Devices 633: Why pros use expensive recorders/mixers like the 633
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Fairlight and Audition, recording sound, how to use the Zoom F8 and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Links to gear used in this video:
Tascam DR-05 (Amazon)
Tascam DR-60DmkII (Amazon)
Anker USB-C Battery Bank (Amazon)
Aputure COB 120DII LED Light (Amazon)
Blackmagic Pocket Cinema Camera 4K
Panasonic 12-35mm F/2.8 OIS Lens
Panasonic GH5 (Amazon)
Panasonic GH5S (Amazon)
Copyright 2019 by Curtis Judd
Music Copyright 2018 by Cary Judd. Used with permission.
Sound for Video Session: Zoom F4 Firmware, Fairlight, & Sennheiser XSW-D Wireless
In our first audio-only Sound for Video Session, we cover the new features Zoom added to the F4 recorder in the 3.0 firmware update. Now F4 users have AutoMix an the Advanced Hybrid Look-Ahead limiters that were previously only on the F8 and F8n.
We also cover my impressions of the Fairlight digital audio workstation page in DaVinci Resolve 15.2.4. It is getting pretty close to the point where I can move to Fairlight and away from Adobe Audition. There are still some minor issues. In fact, in mixing this episode, I learned that Resolve has issues exporting audio only projects. Sigh.
And finally, we talk about a new wireless lavalier microphone I just received in for review: Sennheiser XSW-D Portable Lavalier Set. I have yet to do the review, but cover some of its features here. This is a consumer/prosumer grade wireless system that is made to be as easy to use as possible. The review should appear on my YouTube channel in the next few weeks.
Gear used/discussed in this episode:
Zoom F4 (Amazon) audio recorder
DaVinci Resolve - Free video editing, coloring, and audio mixing
Sennheiser XSW-D Portable Lavalier Set - Wireless microphone system for those who need wireless to be as simple as possible
RODECaster Pro - Mixer and recorder used to record this session
Golden Age Project R1 Active mkIII (Amazon) - Affordable ribbon microphone which I used to record this session.
Copyright 2019 by Curtis Judd
Outro music from Artlist: Call on Me by Kick Lee. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos.
