Sound for Video Session: AEA Ribbon Microphone & Q&A
In this week's session, we demo a supercardioid ribbon microphone from AEA and answer your questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- AEA KU5A Ribbon Microphone - B&H, Sweetwater, Amazon
- RODE NTR - B&H, Sweetwater
- Earthworks SR314 - B&H, Sweetwater
- Panasonic GH5 camera - B&H, Amazon
- D&O V-Mount Cine Battery - Amazon
- D-Tap to Hirose cable to power MixPre-10 from cine battery - Amazon
- Canon C70 Camera - B&H
- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon
- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2021, Curtis Judd
Recording Drum Kit
As an aspiring drummer myself, I’ve struggled to record drum kit in any way that I’d be proud to share. But I recently came across this guide from Gideon Waxman, of DrumHelper.com who runs through the entire process. Recording drums is an art in and of itself. Gideon’s article does a nice job helping you get up and running in this arena.
Live Sound for Video Session: Music with Lloyd Puckitt
Over the last several weeks, a number of questions have come up about how to record instruments, how to gain stage when recording instruments, and other music related items. So this week, we're honored to have Lloyd Puckitt join us. Lloyd has a rich career with experience in recording music and designing sound for the pageantry arts.
Lloyd's show notes:
Mic Shootout:
Mix Engineers: Bob Clearmountain, Al Schmitt, Chris Lord-Alge
Summing Mixers: Rupert Neve Designs, SSL, Heritage Audio
Piano Miking: Earthworks Piano Miking System Use the short prop for lid
Stereo Miking Decca Tree ORTF - Office de Radiodiffusion Télévision Française X-Y
Wordclock: Black Lion Audio Micro Clock MKII
If you'd like to submit your questions ahead of time, please join the school for free. Opt in to the mailing list and I'll contact you once a week where you can reply with your question.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini. Gear used or mentioned in this episode.
The links below are Amazon.com, B&H Photo, Sweetwater, Pictureline or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks SR314 - B&H, Sweetwater
- Canon C200 Camera - B&H, PictureLine
- ATEM Mini Pro ISO - B&H, Pictureline, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
Thanks to Musicbed for the music for this session - “Light Blue” by Utah. Get a free trial of the best music for your videos at Musicbed: http://share.mscbd.fm/curtisjudd
Copyright 2020, Curtis Judd
Learning to Record Acoustic Instruments - RODE TF-5 and Harp with Riley Johnson
In this week’s Sound for Video Session, I put my very first efforts at recording acoustic harp on display to illustrate that the best learning happens when you do a bit of research, then go try to do it yourself.
Hear more of Riley Johnson’s music over at Bandcamp.
Please consider my sound, post processing, and recording classes.
Gear used to record this episode:
RODE TF-5 Cardioid Condenser Microphone - Used to record the reverb dialogue sample
Shure SM7B Dynamic Broadcast Microphone - My voiceover
Sound Devices 633 Audio Recorder
Copyright 2019 by Curtis Judd
Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!
Sound for Video Session: Q&A 25 March 2019
In this episode, we answer your questions on sound for video.
00:20 Recording Cars
03:57 Zoom H4n & Samson CO2?
06:22 How to sweeten dialogue sound
11:10 Which boom microphone for indoors?
13:00 Apps to automix dialogue in post?
15:00 MixPre as audio interface - does quality degrade when recording to screen recording app?
16:54 How much PC do I need to run Premiere Pro and DaVinci Resolve?
18:32 How to capture a noise sample? (Need more info)
18:57 Zoom H6 - remote reduces handling noise?
19:36 How to aim a super cardioid boom microphone
20:50 Replacing lavalier microphone for RODELink
22:28 RODECaster Pro multitrack recording to SD card?
24:12 Batch processing audio in RX and Audition?
25:14 Which sound effects should I record when I'm the mixer for a video?
28:05 Why is my compressor letting peaks through?
29:24 Boom and lavs to director's audio feed? AES42 digital audio with A10 and SD 633?
32:08 Panasonic 991 and timecode and post sync?
35:01 Pocket Cinema Camera 4K and MixPre - line level feed
36:28 Which specs can help you choose a recorder or microphone if you can't try it hands on?
41:11 Which boom mic and recorder do you recommend for interviews for $1200 or less?
43:18 RODE NTG3 or Deity S-Mic 2 sounds closer to the 416?
44:27 What is the difference between the Sound Devices MixPre-3 and MixPre-3M and can I use the "M" version for film and video?
47:55 How do I gain stage a Sennheiser G3 wireless system and Zoom F8n?
49:42 What is a timecode workflow for shooting music videos?
See this workflow information:
https://www.bamfsound.com/how-to-music-video-playback-with-ltc-timecode/
Gear discussed/used in this session:
RODECaster Pro - used to record this session
Sound Devices MixPre Series
Zoom F8n - Very good value for money on a pro/prosumer audio recorder
Sennheiser G3/G4 Wireless Microphone system - note that you need the correct version with frequencies you can use in your region. Contact a reseller in your country for details.
Deity S-Mic 2 shotgun microphone
RODE NTG3 shotgun microphone - I prefer the sound of this on most voices.
Sennheiser MKH416 shotgun microphone - the classic shotgun microphone that seemingly everyone is trying to mimic at enthusiast prices
Blackmagic Pocket Cinema Camera 4K - I find that I use this more often than any of my other cameras these days.
Tentacle Sync timecode generators
Izotope RX7 - my favorite app for cleaning and optimizing audio clips
Samson C02 - budget boom microphone - comes in a set of 2. Good budget option for interviews.
Zoom H5 - budget recorder with 2 XLR inputs
Tascam DR-60DmkII - budget recorder with 2 XLR inputs
Zoom H6 - budget recorder with 4 XLR microphone inputs
Copyright 2019 by Curtis Judd
Outro music from Artlist by Kick Lee. You can receive a 2 month discount on a subscription to Artlist, a subscription service for stock music you can use with your videos. Check it out at Artlist.io.
Sound for Video Session: MixPre or MixPre M for Music? Music Plugin
A question I’ve received many times is, “If I record sound for video and studio style multitrack music projects, should I get the MixPre M instead of the MixPre?” In this session, we answer that question and also demonstrate the music plugin for the MixPre 10T, 6, & 3.
Special thanks to Cary Judd for making up a song, on the spot, with no preparation. I hope he wins a Grammy. Thanks also to Sound Devices for providing the music Plugin for my MixPre-10T. I bought the MixPre, they gave me the plugin for this video. No other payment provided and they did not review this before I posted it. They’re those kind of cool people.
Gear and links discussed/used to record this episode:
If you’re recording sound for film and multitrack music projects:
Sound Devices MixPre-10T
Sound Devices MixPre-6
Sound Devices MixPre-3
For Musicians Only:
Sound Devices MixPre-10M
Sound Devices MixPre-6M
Sound Devices MixPre-3M
Electrovoice RE20 Broadcast Microphone
Copyright 2018 by Curtis Judd
Music Copyright 2018 by Cary Judd. Used with permission.
