Video Gear, Workflow Curtis Judd Video Gear, Workflow Curtis Judd

Pro grade production monitor: OSEE Mega 22S

A production monitor for video production is more than just an HDMI TV or computer monitor. Production monitors have some additional tools, build quality made for portability and durability, and color accuracy. The OSEE Mega 22S also has the ability to color calibrate without an additional computer, just an XRite i1Display probe. The image is bright with a max of 1500 nits so you can view the image in just about every situation. Let’s take a Quick Look at the Mega 22S, which I’ve been using for the last 6 weeks for my studio, location, and livestream sessions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):

- OSEE Mega 22S production monitor — Amazon

- Calibrite Display Pro HL (powered by X-Rite) probe to calibrate your monitor — Amazon

Some of my other studio gear:

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Impact Turtle-Base C-Stands — B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Aputure Light Dome III Softbox — Aputure, B&H

- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Workflow Curtis Judd Workflow Curtis Judd

Has YouTube over-optimized its algorithm?

In this week’s episode we have an earnest discussion about YouTube’s evolving algorithm and how it affects both creators and audiences, especially those of us here in the video, lighting, and sound space. Have they over-optimized for ad revenue for themselves and their stock-holders? Or does everyone benefit from what the algorithm seems to be doing?

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

Some of my other studio gear:

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Impact Turtle-Base C-Stands — B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Aputure Light Dome III Softbox — Aputure, B&H

- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Audio Gear, Workflow Curtis Judd Audio Gear, Workflow Curtis Judd

5 Easy Tips for Better Multi-Person Podcast and Livestream Audio

In this episode we teach you some easy ways to improve you podcast and livestream sound. These include recording techniques such as close-micing, post-production skills like railroading, and a quick demo of how an automixing system works. Implementing even just one of these tips can elevate your sound from mediocre to amazing! Let’s take a closer look.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- SoundDevices MixPre Series Recorders — B&H, Sweetwater, Amazon

- ZOOM F6 audio recorder — B&H, Sweetwater, Amazon

- ZOOM F8n Pro audio recorder — B&H, Sweetwater, Amazon

- Mackie DLZ Adaptive Digital Mixer — B&H, Sweetwater, Amazon

- SoundDevices 888 Audio Recorder/Mixer — B&H, Sweetwater

- RODE Podmic Dynamic Podcasting Microphone — B&H, Sweetwater

- ElectroVoice RE20 Dynamic Cardioid Microphone — B&H, Sweetwater, Amazon

- ElectroVoice RE27 Broadcast Announcer Microphone — B&H, Sweetwater

- SHURE SM58 Cardioid Dynamic Vocal Mic — B&H, Sweetwater, Amazon

- SHURE SM57 Cardioid Dynamic Instrument Mic — B&H, Sweetwater, Amazon

- SHURE SM7B Cardioid Dynamic Microphone — B&H, Sweetwater, Amazon

- SHURE KSM8 Dualdyne Vocal Mic — B&H, Sweetwater, Amazon

- sE Electronics V7 Handheld Supercardioid Dynamic Microphone — B&H, Sweetwater

- Impact Turtle-Base C-Stands — B&H, Amazon

- Amaran 200x S LED light — B&H, Amazon, Aputure

- Aputure Light Dome II soft box — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

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Workflow, Business Curtis Judd Workflow, Business Curtis Judd

This Happens...

In this week’s episode we discuss what happens when projects don’t go your way— and what to do about it.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- JZ Microphones Vintage 11 Large Diaphragm Condenser Microphone — here (not an affiliate link)

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Aputure amaran Pixel Tube Lights — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2023, Curtis Judd

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Post, Tutorial, Workflow Curtis Judd Post, Tutorial, Workflow Curtis Judd

New Course: Fundamentals of Mixing in DaVinci Resolve Fairlight 18.1

This week, we're happy to announce our new course on how to edit and mix dialogue, prerecorded music intros and outros, and basic sound design in DaVinci Resolve's Fairlight! The course is available here at school.learnlightandsound.com.

DaVinci Resolve is an amazing video post app for editing, coloring, adding visual effects, and mixing sound. And with free and studio versions, anyone can produce very high quality videos and films.

Fairlight is the incredibly powerful audio mixing page within Resolve.

In the course, we’ll teach you how to do all of this in Resolve version 18.1:

- How to configure the Fairlight settings

- How to import and sync your audio clips

- How to get around the Fairlight page

- How to use track layers

- How to choose which mic channel (lav vs. boom) to use in a dialogue edit

- How to set up your channel mapping

- How to use effects to clean and sweeten the mix

- How to use key frames and automation to dynamically adjust track and clip levels

- How to add and mix basic sound design

- How and when to bounce tracks and timelines

- How to loudness normalize your final mix

What is NOT covered:

- Video editing in the Cut and Edit pages

- Color grading in the Color page

- Visual effects in the Fusion page

One of the tricks with online courses is what to do when you have a question. We have you covered there. You can email me any time when you sign up for the course. We also hold weekly Sound for Video Sessions where we cover sound for video topics in more depth and even have Q&A sessions once or twice a month.

Come on over to https://school.learnlightandsound.com and sign up to learn with us!

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Sync Audio to Video in Resolve 18 Using Auto Sync or Manually

In this week’s episode, we demonstrate two ways to sync your separately recorded audio to video clips in DaVinci Resolve 18 for single and multicam video footage. The first method is auto sync based on sound — in this case, Resolve uses the audio recorded by the camera as a reference to sync up the audio from your separate audio recorder. If auto sync fails, and it will for some video formats in Resolve 18, we also demonstrate how to manually sync your audio clips to your video clips.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode — or that I use in my regular episodes. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Blackmagic Design Pocket Cinema Camera 6K — B&H, DVE Store, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

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Sound for Video Session: SHURE Axient Digital, Workflow, & Q&A

In this week's Sound for Video Session, we'll talk about my experience with the SHURE Axient Digital wireless microphone system (just testing, no production experience), run through a workflow question, and answer your questions. We'll also use a new microphone and interface this week — Earthworks ETHOS and the Universal Audio Volt 276.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Earthworks ETHOS microphone — B&H, Sweetwater

- Universal Audio Volt 276 USB audio interface — B&H, Sweetwater, Amazon

- Earthworks SR314 - B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Canon C70 Camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

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Sound for Video Session: Izotope RX Rumble Cleanup & Q&A

In this week's Sound for Video Session, we demonstrate how to cleanup an audio clip with plenty of rumbling noise in Izotope RX and then cover your sound related questions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Behind the Sound Cart by Patrushkha Mierzwa - Amazon

- Earthworks SR314 - B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Canon C70 Camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

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Audio, Audio Post, Post, Mixing, Sound Session, Workflow Curtis Judd Audio, Audio Post, Post, Mixing, Sound Session, Workflow Curtis Judd

Sound for Video Session: Q&A

In this week's Sound for Video Session, we cover your sound related questions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Behind the Sound Cart by Patrushkha Mierzwa - Amazon

- Earthworks SR314 - B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Canon C70 Camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

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Sound for Video Session: 512 Audio Limelight & Skylight Microphones, Izotope Cleanup, Q&A

In this week's Sound for Video Session, we get you some sample audio with the new 512 Audio Limelight and Skylight microphones, clean up a wedding video audio clip in Izotope RX, and cover your sound related questions.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We also just added a course on sound for live-streaming with the ATEM Mini.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- 512 Audio Limelight dynamic microphone - Sweetwater, Amazon

- 512 Audio Skylight condenser microphone - Sweetwater, Amazon

- Earthworks SR314 - B&H, Sweetwater

- Panasonic GH5 camera - B&H, Amazon

- Canon C70 Camera - B&H

- Canon RF 24-70 f/2.8L IS lens - B&H, Amazon

- TA3-M to XLR-F Adapter cable to feed microphones to C70 or Blackmagic Pocket cameras - B&H

- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon

- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon

- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon

- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2021, Curtis Judd

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