Tutorial, Recording Curtis Judd Tutorial, Recording Curtis Judd

Record Audio Directly into DaVinci Resolve Fairlight!

This week’s episode is a quick tutorial covering how to set up and record audio directly into DaVinci Resolve! This can help simplify your voiceover and podcast signal chain and workflow all the way from setup to post-production. First we’ll show you how to configure your system audio settings, then how to properly route your signal into audio tracks in Resolve, and finally walk through how to actually record and make the most of the controls available to you in Fairlight. Let’s see how it’s done!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- dbx 286s Mic Preamp & Channel Strip — B&H, Sweetwater, Amazon

- Universal Audio Apollo X6 Thunderbolt Audio Interface — B&H, Sweetwater, Amazon

- Mogami XLR Audio Cables — B&H

- Canare XLR Audio Cables — B&H

Some of my other studio gear:

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Impact Turtle-Base C-Stands — B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Aputure Light Dome III Softbox — Aputure, B&H

- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Tutorial, Live Stream, Podcasting, Voice Over Curtis Judd Tutorial, Live Stream, Podcasting, Voice Over Curtis Judd

dbx 286s Setup for Live Stream, Podcast, and Voiceover

Looking for an easy way to get great broadcast sound in your voiceovers, podcasts, and livestreams every single time? The dbx 286s channel strip can help accomplish that. The 286 is a mic preamplifier and processing chain all in one compact hardware solution and includes such features as +60 dB of gain and +48 V phantom power, as well as a compressor, de-esser, expander/gate, and enhancer. First we’ll show you how to connect your microphone of choice to the dbx and the rest of your audio setup, and then we’ll walk through what each setting does and how to make the most of them with your voice. Let’s see how it’s done!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

- dbx 286s Mic Preamp & Channel Strip — B&H, Sweetwater, Amazon

- Universal Audio Volt 276 USB Audio Interface — B&H, Sweetwater, Amazon

- SHURE KSM8 Dualdyne Vocal Mic — B&H, Sweetwater, Amazon

- SHURE SM58 Cardioid Dynamic Mic — B&H, Sweetwater, Amazon

- Mogami XLR Audio Cables — B&H

- Canare XLR Audio Cables — B&H

Some of my other studio gear:

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Impact Turtle-Base C-Stands — B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Aputure Light Dome III Softbox — Aputure, B&H

- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Tutorial, Post Curtis Judd Tutorial, Post Curtis Judd

Split Poly Wav Audio Files in DaVinci Resolve | Multitrack Tutorial

Here’s a quick tutorial showing you how to split a multitrack poly WAV file into separate tracks for easier editing or export in DaVinci Resolve Fairlight. Let’s see how it’s done!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:

Fancy recorders…

- Sound Devices MixPre II Series Audio Recorders — B&H, Sweetwater, Amazon

- Zoom F3 Portable Field Recorder — B&H, Sweetwater, Amazon

- Zoom F6 Portable Field Recorder — B&H, Sweetwater, Amazon

- Zoom F8n Pro Multitrack Field Recorder — B&H, Sweetwater, Amazon

Some of my other studio gear:

- Sennheiser MKH50 microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Sweetwater, Amazon

- Impact Turtle-Base C-Stands — B&H, Amazon

- Aputure LS 600x Pro Bicolor LED Light — Aputure, B&H, Amazon

- Aputure Light Dome III Softbox — Aputure, B&H

- Amaran 300c RGBWW Single-Point LED Light — Aputure, B&H, Amazon

- Amaran Spotlight SE — Aputure, B&H, Amazon

- Rosco Prismatic Glass Gobo in Cool Lavender — B&H

- Canon C70 Cinema Camera — B&H

- Canon RF 24-70 f/2.8 lens — B&H, Amazon

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2024, Curtis Judd

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Post, Tutorial, Workflow Curtis Judd Post, Tutorial, Workflow Curtis Judd

New Course: Fundamentals of Mixing in DaVinci Resolve Fairlight 18.1

This week, we're happy to announce our new course on how to edit and mix dialogue, prerecorded music intros and outros, and basic sound design in DaVinci Resolve's Fairlight! The course is available here at school.learnlightandsound.com.

DaVinci Resolve is an amazing video post app for editing, coloring, adding visual effects, and mixing sound. And with free and studio versions, anyone can produce very high quality videos and films.

Fairlight is the incredibly powerful audio mixing page within Resolve.

In the course, we’ll teach you how to do all of this in Resolve version 18.1:

- How to configure the Fairlight settings

- How to import and sync your audio clips

- How to get around the Fairlight page

- How to use track layers

- How to choose which mic channel (lav vs. boom) to use in a dialogue edit

- How to set up your channel mapping

- How to use effects to clean and sweeten the mix

- How to use key frames and automation to dynamically adjust track and clip levels

- How to add and mix basic sound design

- How and when to bounce tracks and timelines

- How to loudness normalize your final mix

What is NOT covered:

- Video editing in the Cut and Edit pages

- Color grading in the Color page

- Visual effects in the Fusion page

One of the tricks with online courses is what to do when you have a question. We have you covered there. You can email me any time when you sign up for the course. We also hold weekly Sound for Video Sessions where we cover sound for video topics in more depth and even have Q&A sessions once or twice a month.

Come on over to https://school.learnlightandsound.com and sign up to learn with us!

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Sync Audio to Video in Resolve 18 Using Auto Sync or Manually

In this week’s episode, we demonstrate two ways to sync your separately recorded audio to video clips in DaVinci Resolve 18 for single and multicam video footage. The first method is auto sync based on sound — in this case, Resolve uses the audio recorded by the camera as a reference to sync up the audio from your separate audio recorder. If auto sync fails, and it will for some video formats in Resolve 18, we also demonstrate how to manually sync your audio clips to your video clips.

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.

Support my work creating videos by donating at Ko-Fi.com.

Gear used or mentioned in this episode — or that I use in my regular episodes. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:

- Blackmagic Design Pocket Cinema Camera 6K — B&H, DVE Store, Amazon

- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon

- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon

- Rycote PCS Microphone Quick-Release System — B&H

- Aputure LS 300X used for background light — Aputure, B&H, Amazon

- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon

- Rosco Gobo creates the pattern on the back wall — B&H

- Canon C70 cinema camera — B&H

- Canon RF 24-70 f/2.8L lens — B&H, Amazon

- Schneider Radiant Soft 1 diffusion filter — B&H

- Panasonic GH5 camera — B&H, Amazon

- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon

The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.

Copyright 2022, Curtis Judd

Read More