Sound for Video Session — Audio mixing for video people
People who focus on video production, and especially camera operators, often find sound or audio to be a bit mysterious and, sometimes, they just want to not be bothered too much with it. But there are just a few fundamental things that can make recording sound for video a lot easier. And these aren't dificult things. Let's talk about what every music and live sound front-of-house mixer knows that every camera person should know.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini, Introduction to Izotope RX for Dialogue Audio, and Mixing fundamentals in DaVinci Resolve Fairlight.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Mackie DLZ Creator XS adaptive audio mixer — B&H, Sweetwater, Amazon
- Mackie DLZ Creator adaptive audio mixer (the original, bigger one) — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Allen & Heath SQ5 digital mixing board — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Sound Devices 888 field recorder/mixer with Dante — B&H, Sweetwater
- Panasonic GH5 camera - B&H, Amazon
- Teleprompter Ikan 17" high bright — B&H
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2024, Curtis Judd
Sound for Video Session: Boom Operators, Tascam DR-10L, Recording Live Events
This is the weekly Sound for Video Session for those enrolled in my sound for video courses.
Lots of great questions submitted this week including the following:
- When would you want two boom operators?
- What do I need to include in a sound report/notes for the editor or sound post?
- Will you Review the Tascam DR-10L?
- Custom iPad holder for sound bags and Zoom F8 or Sound Devices 633 with Wingman
- Color correction and editing in Final Cut Pro X vs DaVinci Resolve?
- How do I record a live event with panelists? Feed from the sound mixer board?
Boom Pole Holder for Century Stands
Sample Sound Report Template
Tascam DR-10L Distributed Audio Recorder with Lavalier Microphone
Cables for recording feed from Mixer:
RCA to 1/4"
1/4" to 1/4" TRS
XLR to XLR
Sound for Video Session: Post Noise Reduction Primer
This week we have a quick look at how to reduce noise in post production using Adobe Audition.
We also talk about alternatives to Adobe Audition for those starting out in audio for video and film (Audacity and its limitations, Pro-Tools First, and Reaper)