Sound for Video Session: ZOOM F8n Pro Setup & Q&A
In this week's session, we run through the ZOOM F8n Pro's menus to solve common questions and issues. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- ZOOM F8n Pro 32-bit float audio recorder — B&H, Sweetwater, Amazon
- ZOOM F6 32-bit float audio recorder — B&H, Sweetwater, Amazon
- Mackie DLZ Creator — B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- Sound Devies 888 field recorder/mixer — Trew, B&H, Sweetwater
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
ZOOM PodTrak P4 Podcast Recorder Review
In today’s episode, we have a look at and a listen to the new ZOOM PodTrak P4 audio recorder for podcasters. This recorder has 4 XLR microphone inputs, 4 headphone jacks, and records very good quality audio to SD card or feeds the audio to your computer, mobile, or tablet via USB-C. On the P4, you can record your pocast as a single mix of all microphone inputs, and at the same time each microphone input to a separate file for more in-depth mixing in post. Either way, you can publish your podcast right away, or do a super detailed mix.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, Pictureline or other affiliate links. As an affiliate, I earn from qualifying purchases:
- ZOOM PodTrak P4 - B&H, Sweetwater
- ZOOM PodTrack P4 with Mic Pack Headphones and Dynamic ZDM-1 Microphone- B&H
- ZOOM BTA-2 Bluetooth Adapter - B&H, Sweetwater
- Shure SM7B dynamic microphone - B&H, Sweetwater, Amazon
- Electro-Voice RE20 dynamic microphone - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Pictureline, Amazon
- Panasonic 12-35mm f/2.8 OIS II Lens - B&H, Pictureline, Amazon
- Blackmagic Pocket Cinema Camera 6K - B&H, Pictureline
- Sigma 24-70mm f/2.8 DG OS ART Lens - B&H, Pictureline, Amazon
The intro and outro music for this episode is from Musicbed - “For the Kids” by Utah. Get a free trial of the best music for your videos at Musicbed.
Copyright 2020, Curtis Judd
ZOOM LiveTrak L-8 For Podcasting
In today’s episode, we have an overview of the ZOOM LiveTrak L-8 audio recorder/mixer. This little thing can work nicely for podcasting or musicians but we’ll focus on the features relevant to podcasting. This competitor to the RODECaster Pro prompted me to have a closer look and talk about the differences and which may be a better fit for you.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses at https://school.learnlightandsound.com including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Zoom LiveTrak L-8 Recorder/Mixing Board - B&H
- RODECaster Pro Podcasting Recorder/Mixer - B&H
- Shure SM7B Dynamic Broadcast Microphone - B&H
- Electro-Voice RE20 Broadcast Microphone - B&H
- Cloudlifter Microphone Activator - B&H
- FETHead Microphone Activator - B&H
- Anker USB Battery Bank - B&H
- SD Card I used for the LiveTrak L-8 - B&H
- Panasonic GH5 Camera used for most B-Roll shots - B&H Amazon
Panasonic GH5S Camera use for talking head shots - B&H Amazon
- Olympus 45mm f/1.8 Micro 4/3 Lens - B&H Amazon
- Panasonic 12-35mm f/2.8 OIS Lens - B&H Amazon
Get a free trial of the best music for your videos at Musicbed: http://share.mscbd.fm/curtisjudd Copyright 2020, Curtis Judd
Sound for Video Session: Q&A - Timecode Generators, Sennheiser vs. RODE Wireless, and More
In this week’s sound for video session, we answer your questions!
00:20 Can I use the timecode generator in my recorder and then just buy generators for each camera (GH5 and GoPro)?
02:13 What is the difference between the Zoom F8n and Sound Devices MixPre-10T?
04:26 Can I use a Tentacle Sync connected to my computer with Screenflow?
05:43 Sennheiser G3/G4 vs RODELink for long interviews (4-8 hours)?
06:38 Connect audio recorder to an ATOMOS video recorder?
08:19 How do I power all of this stuff for 8 hours since I will not always have AC power?
10:20 Small Traveling light recommendation? (Aputure F7)
11:38 How do you transport your camera/audio recorder when flying?
13:44 Sennheiser 416 or RODE VideoMic Pro+ & Ursa Mini Pro?
17:09 How do you control the order that effects/plugins are applied in a DAW?
21:26 Is there such a thing as an acceptable amount of timecode drift?
Previous episodes referenced - Sound Devices MixPre Re-mix Demo:
ZOOM F8n First Impressions:
Sound Devices MixPre-10T Review:
Previous Sound for Video Session where we covered batteries:
Sound Bag Tour:
Please consider my sound for film classes available over at http://school.learnlightandsound.com
Gear and links discussed/used to record this episode:
Dummy Battery adapter for Panasonic GH cameras (D-Tap to GH camera) - power your Panasonic GH camera for hours with a cine style batter like the JuiceBox below.
JuiceBox V-Mount Battery - cine battery that can also power your recorder
Zacuto Zwiss Plate V2 to attach the cine battery to your camera rig (requires rods)
V-Mount Battery Plate to hold the battery to the cheese plate
Aputure COB120D LED Light
Sennheiser MKH-416 Shotgun Microphone
RODE VideoMic Pro+ - Camera shoe mount shotgun microphone
Sound Devices MixPre-3 Audio recorder/mixer
Sound Devices MixPre-6 Audio recorder/mixer
Sound Devices MixPre-10T Audio recorder/mixer with timecode generator
D-Tap to Hirose Adapter Cable - to use a cine battery with your Zoom F4, F8, F8n or Sound Devices MixPre-10T
Electrovoice RE20 Dynamic Broadcast Microphone - used to record this session
Sound Devices 633 Audio Recorder/Mixer - Used this as the preamp for the microphone and then fed the audio to the camera in this episode
Copyright 2018 by Curtis Judd
Outro music licensed from Artlist: Sunday by Young Pixies - Amazing Journey. Artlist provides high quality music tracks for your film and video projects. You can receive two months off an Artlist account by using our link.
