Sound for Video Session — ATEM Mini Sound & Q&A
In this week's session, we look at the software mixer settings in the ATEM Software Control app for ATEM Mini switchers. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
RØDE NT1 5th Generation for Podcast, Voice Over, and Spoken-Word Audio
In this week’s episode we have a look at and listen to the new 5th generation of the RØDE NT1! New to this generation of the bestselling cardioid condenser mic is RØDE’s Dual Connect technology, which allows you to record either via XLR to a recorder or via USB to your computer. This new USB connectivity option also allows for 32-bit float recording, wide dynamic range recording which can be an useful tool. Here, we compare the 4th and 5th gen of the NT1, explore the new variety of recording methods, and dive into the details of 32-bit float. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- RODE NT1 5th Generation Cardioid Condenser Microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
How I Light My Backgrounds — Creative Background Lighting for Video
In this week’s episode we have a look at several methods of lighting the back of your set while filming talking-head shots. Putting some thought into what’s going on in the background of your shots can help sophisticate the look of your video. Here, we cover solid-color lighting as well as fancier effects that can be achieved with RGBLED lights, different color temperatures, and metal, glass, or homemade gobos. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon
- Litepanels Gemini 1x1 LED panel — B&H, Amazon
- Rosco glass gobos — B&H
- Rosco steel gobos — B&H
- RODE NT1 Cardioid Condenser Microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Sound for Livestreams & Q&A
In this week's session, we run through some of the most common questions I hear regarding sound for livestreams. Then we answer your questions.
Recommended videos on sound for livestreams:
Find out how to set audio levels for livestreams here.
Discover microphones and positions for livestreams here.
Learn how to manage reflections and reverb with sound blankets here.
See behind the scenes of a livestream audio setup here.
Learn how to connect balanced and unbalanced devices here.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- AEA KU5A ribbon microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Earthworks ETHOS broadcast microphone vs SHURE SM7b and Electrovoice RE20
In this week’s episode we have a look at and listen to the Earthworks ETHOS broadcast microphone. This compact, good-looking supercardioid microphone is useful for podcasts, livestreams, and other broadcast-style content creation. In this video we listen to some sound samples, walk through the ETHOS’ feature set, conduct our usual microphone tests, and compare it to some other broadcasts mics of similar quality at similar price points, namely the SHURE SM7B and Electrovoice RE20. Let’s take a closer look and listen!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- SHURE SM7B Cardioid Dynamic Microphone — B&H, Sweetwater, Perfect Circuit, Amazon
- ElectroVoice RE20 Dynamic Cardioid Microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon
- Rosco Gobo creates the pattern on the back wall — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Fairlight FX, Adobe Podcast Enhance, & Q&A
In this week's session, we run through some of the built-in effects of DaVinci Resolve's fairlight, demonstrate Adobe Podcast Enhance, an automatic audio optimization tool, and answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- AEA KU5A ribbon microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
New Course: Fundamentals of Mixing in DaVinci Resolve Fairlight 18.1
This week, we're happy to announce our new course on how to edit and mix dialogue, prerecorded music intros and outros, and basic sound design in DaVinci Resolve's Fairlight! The course is available here at school.learnlightandsound.com.
DaVinci Resolve is an amazing video post app for editing, coloring, adding visual effects, and mixing sound. And with free and studio versions, anyone can produce very high quality videos and films.
Fairlight is the incredibly powerful audio mixing page within Resolve.
In the course, we’ll teach you how to do all of this in Resolve version 18.1:
- How to configure the Fairlight settings
- How to import and sync your audio clips
- How to get around the Fairlight page
- How to use track layers
- How to choose which mic channel (lav vs. boom) to use in a dialogue edit
- How to set up your channel mapping
- How to use effects to clean and sweeten the mix
- How to use key frames and automation to dynamically adjust track and clip levels
- How to add and mix basic sound design
- How and when to bounce tracks and timelines
- How to loudness normalize your final mix
What is NOT covered:
- Video editing in the Cut and Edit pages
- Color grading in the Color page
- Visual effects in the Fusion page
One of the tricks with online courses is what to do when you have a question. We have you covered there. You can email me any time when you sign up for the course. We also hold weekly Sound for Video Sessions where we cover sound for video topics in more depth and even have Q&A sessions once or twice a month.
Come on over to https://school.learnlightandsound.com and sign up to learn with us!
Inauguration Sound with Audio Buff
In this week's session, we're joined by Jude Buffington of Audio Buff to talk about his recent experience mixing sound for the Oklahoma Governor's inauguration. Not only was he responsible for the PA system, but also lots of feeds for press. Join us as Jude covers what went well, what didn't, and how he delivered a solid mix.
Visit Jude's YouTube channel at https://www.youtube.com/@audiobuff.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- AEA KU5A ribbon microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Simple Sound in Premiere, Final Cut, or DaVinci using Accentize's DialogueEnhance2
In this week’s episode we have a look at Accentize’s DialogueEnhance 2 plugin. This multipurpose plugin can run in non-linear video editors — Premiere Pro, Final Cut, and Davinci Resolve — as well as digital audio workstations and includes everything you need to clean up audio for your videos, podcasts, and other dialogue-based projects. In this video, we walk through the DialogueEnhance feature set and explain how you might go about using each module to best clean up your dialogue sound. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Accentize DialogueEnhance 2 Plugin — https://www.accentize.com/dialogueenhance/ (not an affiliate link)
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon
- Rosco Gobo creates the pattern on the back wall — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Impedance & Q&A
In this week's session, we cover the basics of impedance (a specification you will often see for microphones, preamplifiers, audio interfaces, mixers, etc.) and then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- AEA KU5A ribbon microphone — B&H, Sweetwater, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd