Sound for Video Session — Train your ears & Q&A
In this week's session, we cover several things you can do to train your ears to hear things that you might have thought only gifted engineers could hear. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Mastering Audio: The art and the science by Bob Katz — Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
This Happens...
In this week’s episode we discuss what happens when projects don’t go your way— and what to do about it.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- JZ Microphones Vintage 11 Large Diaphragm Condenser Microphone — here (not an affiliate link)
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon
- Aputure amaran Pixel Tube Lights — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session: The lost lab notebooks of Ben Bauer of SHURE
In this episode, Michael Petterson — the historian from SHURE microphones — joins us to recount some history on the development of some of the most iconic microphones in the world, and their inventor, Ben Bauer. For years, some of Ben's lab notebooks were lost, until...
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Shure SM58 vocal microphone — B&H, Sweetwater, Trew Audio, Amazon
- Shure SM57 microphone — B&H, Sweetwater, Trew Audio, Amazon
- Shure SM7B broadcast microphone — B&H, Sweetwater, Amazon
- Shure KSM8 vocal microphone — Sweetwater, B&H, Amazon
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
JZ Microphones V11 — Vintage Warmth For Spoken Word Audio
In this week’s episode, we have a look at and a listen to the JZ Mics Vintage 11 microphone. This large diaphragm condenser microphone is warm-toned mic that performs just as well at dialogue recording as it does vocals and instruments. In this video we listen to some V11 sound samples, compare the sound to other common condenser microphones, and walk through the V11’s feature set to help you decide if you want to give this mic a try. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- JZ Microphones Vintage 11 Large Diaphragm Condenser Microphone — here (not an affiliate link)
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store. Amazon
- Aputure amaran Pixel Tube Lights — Aputure, B&H, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — CEDAR sdnx noise suppression demo & Q&A
In this week's session, we demonstrate the CEDAR sdnx noise suppression plugin for Sound Devices 8xx series recorders. This is real-time noise reduction optimized for dialogue on the Sound Devices pro-level mixer/recorders. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- CEDAR sdnx plugin — Sound Devices
- Sound Devices 888 production mixer/recorder — Trew Audio, B&H, Sweetwater
- Sound Devices 833 production mixer/recorder — Trew Audio, B&H, Sweetwater
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Colorful Pixel Tube Lights | Aputure Amaran PT1c, 2c, and 4c
In this week’s episode, we have fun experimenting with the new Amaran PT1c, 2c, and 4c pixel tube lights from Aputure Lighting ! These cool lights can play a role in any lighting design with their RGBWW color spectrum, pre-programmed system and pixel FX, and long-lasting inbuilt batteries. In this video we overview the PT series’ feature set and demonstrate how you might creatively incorporate them into your lighting kit. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Aputure amaran Pixel Tube Lights — Aputure, B&H, Amazon
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Auto Align Post 2 & Q&A
In this week's session, we demonstrate how to align and mix boom and lavalier microphones using Sound Radix Auto Align Post 2. When you record with both boom and lavalier microphones, the two are usually not perfectly in phase so you experience comb filtering. Add plant mics and moving actors and the problems become even more pronounced. Auto Align Post solves this problem so you can mix them all.
Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Power Your Sound Bag: DEITY SPD-1 Power Distribution Box
In this week’s episode we take a look at DEITY’s SPD-1 battery distribution system. The SPD-1 allows you power all of the gear in your sound bag by connecting up to 3 separate batteries or power sources at a time, and hot-swap them when necessary. In this video we overview the SPD-1’s feature set, demonstrate how you might use it with your sound kit, and discuss how battery distribution systems can make your job on set or on location easier. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
- DEITY SPD-1 Battery Distribution System — B&H
- DEITY SPD-1 Battery Distribution System Accessory Cables — DEITY (not an affiliate link)
- Inspired Energy/HiQ Smart Batteries — B&H, Trew Audio
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Sound for Video Session — Animosity, Ozone, & Q&A
In this week's session, we talk about the animosity that sometimes arises between sound and camera departments on set and what to do about it. We spend some time experimenting with Ozone for dialogue audio. Then we answer your sound for video questions.
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. We have a course on sound for live-streaming with the ATEM Mini and just added Introduction to Izotope RX for Dialogue Audio.
Gear I often use or that we mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVE Store, Waves, or other affiliate links. As an affiliate, I earn from qualifying purchases:
- Earthworks ETHOS microphone — B&H, Sweetwater, Amazon
- RODECaster Pro II audio workstation — B&H, Sweetwater, DVE Store, Amazon
- Sound Devices MixPre II Series Recorders - B&H, Sweetwater, Amazon
- Panasonic GH5 camera - B&H, Amazon
- Canon C200 Camera - B&H
- Canon EF 24-105mm f/4 lens — B&H, Amazon
- ATEM Mini Extreme & Extreme ISO - B&H, DVE Store, Amazon
- Allen & Heath SQ5 Digital Mixer - B&H, Sweetwater, Amazon
- Rupert Neve Designs Shelford Channel, pre-amp, EQ, compressor - Sweetwater, B&H
- Universal Audio 6176 channel strip pre-amp, EQ, compressor — B&H, Sweetwater, Amazon
The intro and outro music for this episode is from Musicbed. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd
Amaran 200x S LED Light — Impressive Color Quality, Affordable Video Light
In this week’s episode we take a look at the new Amaran 200x S bicolor light from Aputure. The 200x S is the second iteration of the Amaran COB series of lights, and updates include Aputure’s Dual Blue color chip for an expanded spectrum and greater color accuracy. It’s also compatible, of course, with Sidus Link for iOS and Android devices. Here, we compare the photometrics of the 200d and 200x S, overview the new feature set, and explore some practical applications where the 200x S’s Dual Blue capability comes in handy. Let’s take a closer look!
If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX.
Support my work creating videos by donating at Ko-Fi.com.
Gear used or mentioned in this episode. The links below are Amazon.com, B&H Photo, Sweetwater, DVEStore, Perfect Circuit, Trew Audio or other affiliate links. As an affiliate, I earn from qualifying purchases:
D stands for daylight, X stands for bi-color (daylight and tungsten). Choose daylight if you need more light output.
- Amaran 200x S, 200d S, 100x S, 200d S, 60d S— Aputure
- Sennheiser MKH 50 microphone — B&H, Trew Audio, Sweetwater, Amazon
- Sound Devices MixPre audio recorder — B&H, Trew Audio, Sweetwater, DVE Store, Amazon
- Rycote PCS Microphone Quick-Release System — B&H
- Aputure LS 300X used for background light — Aputure, B&H, Amazon
- Aputure Spotlight Mount — Aputure, B&H, DVE Store, Amazon
- Rosco Prismatic Glass Gobo in Cool Lavender — B&H
- Canon C70 cinema camera — B&H
- Canon RF 24-70 f/2.8L lens — B&H, Amazon
- Schneider Radiant Soft 1 diffusion filter — B&H
- Panasonic GH5 camera — B&H, Amazon
- Panasonic 12-35mm f/2.8 II lens — B&H, Amazon
The intro and outro music for this episode is from Musicbed - “Dynamo” by Virgil Arles. Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself.
Copyright 2023, Curtis Judd